The reading level has been assessed at 8. In another way, his style is complex and perfectly suited to his subject matter. Steinbeck uses simple language, which perfectly fits the characters, Steinbeck uses simple language, which perfectly fits the characterstheme, and setting of this novel.
The task is to define Steinbeck as a writer in the mode of the twenties. One must define such terms as illusion, mythic, archetype, depth psychology, and symbol in establishing his artistic process. Secondly, one must show a student the ongoing conflict in Steinbeck's work between expectation and change, consciousness and altered circumstances.
Students love reading Steinbeck; I cite passages from his letters to indicate his artistic interests in the above ideas.
I point out particular details in the works to support my interpretations. In "Flight," I have them look for description of an Indian; I explore similar conflicts and ways of perceiving in our daily lives.
For a discussion of "Flight," I ask them to define the stereotypical Indian brave, stereotypical Mexican children, the role of school and education in cultural assimilation, the future of Indian culture.
I offer the view of Steinbeck as a modern artist who sees the artist's role as analogous to a psychiatrist's: If each work is seen as dealing with a different human drive--sexual repression, religious quest, rejection, self-hate, security and certainty of tradition, the need to belong, etc.
By all means, link such drives to similar ones readily found in students' lives. Major Themes, Historical Perspectives, and Personal Issues Half of Steinbeck's writings present ethnic characters whose identity is in crisis because of the conflict between cultures.
For his Indians, whether in Mexico or the United States, efforts to retain the pastoral world and its values are tragically doomed. Indeed, the call of a lost Eden brings conflict with contemporary society to most Steinbeck characters. His characters cannot escape past influences: To become conscious of these hidden drives is the human quest.
Evolutionary stages are represented by either unconscious memory or expressed in cultural myths as, say, the Garden of Eden. And this pressure for change, which is particularly American, and the conflict it brings, is the underlying Steinbeck theme. Nor should the reader overlook the domestic conflict between men and women.
It may encompass the issue of power, of cultural influence as in "Flight," or of vast unused leadership to be tapped through Ma Joad. Certainly Steinbeck's work is saturated in history: He draws upon the intellectual movements of his time in anthropology, biology, and psychology.
His historical perspective then was termed "holistic"--defined today as ecological, with human beings biologically and culturally connected to the universe and using human will to blend past and future. Steinbeck's last works are autobiographical, questioning whether he succeeded as father, husband, artist.
And, intriguingly, he questions within those novels the extent to which his private life influenced his fiction. Significant Form, Style, or Artistic Conventions Steinbeck tried to find an organic means of expression for each book that he wrote.
He considered his work to be experimental. He intentionally used a documentary style for The Grapes of Wrath, the fabular for The Pearl, the picaresque for Tortilla Flat, and so on. Generally he belongs to the myth-symbol school of the twenties.
Dreams, the unconscious, reccurring myths, symbolic characters--these qualities are characteristic of what Jung called the "visionary" style. Realism, Steinbeck once noted, is the surface form for his interest in psychology and philosophy.
To this The Grapes of Wrath is no exception. I'd add that his work about Indians follows the outlines of tragedy.
Finally point out that Steinbeck's work included film scripts, plays, and political speeches and war propaganda. Original Audience Steinbeck's earliest writings, whose subject was the individual psyche, sold poorly. With his fifth book, the picaresque Tortilla Flat, Steinbeck became a popular writer, and with In Dubious Battle and The Grapes of Wrath, novels rooted in the issues of the depression, Steinbeck achieved international fame.
Before those publications, his West Coast audience did not comprehend his direction. For most he was a "mystic" writer, and for Edmund Wilson, Steinbeck was writing "biological" stories.
It may be this lack of comprehension that led him to insert characters into his novels who commented on the significance of the action. The one reviewer who saw Steinbeck's literary subject as the "unconscious," received a note from Steinbeck thanking him for the insightful review.Essay about The Descriptive Writing Style of John Steinbeck; Essay about The Descriptive Writing Style of John Steinbeck.
Words Jun 6th, 5 Pages. Show More. Essay "Breakfast" John Steinbeck Analysis. In one sense, Of Mice and Men, by John Steinbeck, is a very simple novel. The reading level has been assessed at , meaning an eighth-grader in the first month of school should be able to. Steinbeck's strongest writing talent is in his use of characterization.
In all of his novels, OMAM included, we really feel like we know the characters. In this case, we can relate to the. 6 Writing Tips From John Steinbeck. Maria Popova. Mar 12, The legendary author explains why you should abandon all hope of finishing your novel.
"If there is a magic in story writing. The Descriptive Writing Style of John Steinbeck. Topics: The Grapes of Wrath, John Steinbeck, Henry Fonda Pages: 3 ( words) Published: June 18, The novel The Grapes of Wrath is in many ways a one-of-a-kind piece of literature. This work is set up unlike any other book, written in a series of chapters and inter-chapters, which do a.
Writing Style in The Grapes of Wrath The Grapes of Wrath can seem like a chore to read if you think of it strictly in terms of plot. However, attention to Steinbeck's language can make the novel a.